Managing Image Collections

A Practical Guide

Paperback Engels 2011 9781843345992
Verwachte levertijd ongeveer 9 werkdagen

Samenvatting

This book explores issues surrounding all aspects of visual collection management, taken from real-world experience in creating management systems and digitizing core content. Readers will gain the knowledge to manage the digitization process from beginning to end, assess and define the needs of their particular project, and evaluate digitization options. Additionally, they will select strategies which best meet current and future needs, acquire the knowledge to select the best images for digitization, and understand the legal issues surrounding digitization of visual collections.

Specificaties

ISBN13:9781843345992
Taal:Engels
Bindwijze:Paperback

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Inhoudsopgave

<p>Dedication</p> <p>List of figures, tables, and boxes</p> <p>Acknowledgments</p> <p>About the author</p> <p>Introduction</p> <p>L’Heliographie</p> <p>Viewing the first photograph</p> <p>Images defined</p> <p>Collections defined</p> <p>Objectives</p> <p>Images and figures</p> <p>Audience</p> <p>Why Managing Image Collections: A practical guide?</p> <p>Other resources</p> <p>Chapter 1: Photographic image history</p> <p>Abstract:</p> <p>Introduction</p> <p>Technology and images</p> <p>Early attempts at photography</p> <p>Daguerreotypes and calotypes</p> <p>Technical developments</p> <p>Other early formats</p> <p>Commercial expansion</p> <p>Development of image collections</p> <p>Plate and camera improvements</p> <p>Film developments</p> <p>Color photography</p> <p>Digital technology</p> <p>Chapter 2: Digital image basics</p> <p>Abstract:</p> <p>Introduction</p> <p>What is a digital image?</p> <p>Digital and analog differences</p> <p>Digital images as surrogates</p> <p>Digital cameras and scanners</p> <p>Dynamic range and bit depth</p> <p>Resolution</p> <p>Resolution recommendations</p> <p>Master and derivative files</p> <p>Interpolation</p> <p>Compression</p> <p>File formats</p> <p>Digital decisive moment</p> <p>Chapter 3: Photographic image issues</p> <p>Abstract:</p> <p>Introduction</p> <p>Visual literacy</p> <p>Authenticity</p> <p>Decontexualization</p> <p>Paradigm shift</p> <p>Contextual meaning</p> <p>Photography in context</p> <p>Intellectual property rights</p> <p>Legal and cultural considerations</p> <p>Ethics</p> <p>Preservation</p> <p>Chapter 4: Photographic image collection management</p> <p>Abstract</p> <p>Introduction</p> <p>Image collections</p> <p>Appraisal defined</p> <p>Photographic appraisal</p> <p>Photographic appraisal criteria</p> <p>Selection for digitization</p> <p>Managing hybrid collections</p> <p>Chapter 5: Metadata and information management</p> <p>Abstract:</p> <p>Introduction</p> <p>Description for archives, libraries, and museums</p> <p>Challenges of image description</p> <p>Item-level description</p> <p>Collection-level description</p> <p>Subject description</p> <p>Metadata</p> <p>Metadata crosswalks</p> <p>Image description practices</p> <p>Description for digitization initiatives</p> <p>Metadata for information management</p> <p>Chapter 6: Digitization</p> <p>Abstract:</p> <p>Introduction</p> <p>Project objectives</p> <p>Cost estimates</p> <p>In-house or outsourced digitization</p> <p>Staffing</p> <p>Collaboration</p> <p>Documentation</p> <p>Benchmarking</p> <p>Calibration</p> <p>Scanning from originals or duplicates</p> <p>Batching</p> <p>Postproduction work</p> <p>File-naming conventions</p> <p>Quality assessment</p> <p>Management systems for images</p> <p>Benefits of digitization</p> <p>Chapter 7: Conclusion</p> <p>Appendix A: Digital project considerations</p> <p>Appendix B: Glossary of image collection terms</p> <p>Appendix C: Further reading</p> <p>References</p> <p>Index</p>

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